[untitled]
Song Meaning
“[untitled]” is about a hazy, alcohol-soaked night with someone else that leaves the narrator unable to tell whether what they felt was love or just lust.
The lyrics of “[untitled]” suggest a narrator drinking alone with someone pressing them for answers, retreating into thoughts about their own “godforsaken life” rather than responding directly. Physical, charged details (“My lips went white / My spine teased tight”) frame the encounter as intensely erotic, and the song treats that intensity as unresolved rather than straightforwardly romantic, landing on the refrain “this is love and this is lust, now which one do I trust?” The lyrics never specify the gender of the person being addressed, so nothing in the text points toward either a heterosexual or a queer reading specifically; what comes through clearly is the narrator’s uncertainty about whether affection or physical desire is actually driving the encounter.
The meaning
The opening lines set up a lopsided exchange: “You’ve been askin’ / I’ve been drinkin’.” Someone wants something from the narrator, maybe an explanation, maybe a commitment, and instead of answering, the narrator drinks and turns inward, dwelling on their “godforsaken life.” That deflection frames the whole song: this is a narrator avoiding a direct reckoning with what a relationship or encounter actually means to them.
“It’s a memory / I made it be” suggests the narrator isn’t just recalling the night passively, they’re actively shaping it into something mythologized after the fact, deciding what it gets to mean in retrospect rather than trusting what it felt like in the moment.
The physical imagery that follows, lips going white, spine going tight, leans into a specifically erotic register rather than a purely emotional one. The narrator even names the discomfort as part of the appeal: “it’s proved to be sexier in moments like these.” That line does real work in the song: it ties eroticism directly to tension and uncertainty rather than to comfort or safety, which sets up the central conflict.
That conflict crystallizes in the chorus: “This is love and this is lust... now which one do I trust?” The lyrics don’t resolve this. Instead of choosing a side, the narrator lays love and lust next to each other as two forces that feel identical in the moment but can’t both be steering the same decision. The lines “I made it to be the best / And if I were to be the best / Maybe you would just” read as a bid for reassurance, the narrator trying to be good enough, desirable enough, to secure the other person’s attention or commitment, which suggests real insecurity underneath the physical bravado of the verses.
Because the lyrics never gender the person being addressed, the song works as an account of desire and doubt without locking into a specific kind of relationship. What’s supported by the text is a narrator caught between physical attraction and emotional attachment, unable to say with confidence which one is real, or whether the two can even be separated in this particular case.
Last updated 2026-09-12











